“Windows are one of the most important elements in architecture. They function to connect the outside and inside worlds, opening and closing as required. They are made of transparent glass so they allow us to see the world outside and inside through them, yet the glass itself acts as a physical shield, offering us protection from the elements and harm.”
Igarashi Tarō (Director of the Windowology exhibition)
Windowology is a multidisciplinary research project conducted by the Window Research Institute*, a Tokyo-based foundation dedicated to the development of architectural culture. Curated under the direction of architectural historian and critic Igarashi Tarō, the exhibition features architectural models, drawings, photographs, film, manga, books, crafts, environmental statistics/information and quotes as well as original artwork by renowned installation and performance artist, Tsuda Michiko.
Explore 10 Themes
The Windowology exhibition examines the role of windows as cultural objects and the ways in which they frame our vision and give us unique perspectives on the world. It explores ten themes: Windows on Craft, Windows on the Environment, Windows on Stories, Windows on Film, Windows on the Teahouse, Windows on Manga, Windows on How We Live Now, Windows on Motion, Windows on Words, and Windows on Art.
Start ExploringN. America Exhibition Debut
Based on a 2017 Tokyo exhibition that celebrated Windowology's 10th anniversary, this traveling exhibition was re-designed for an international audience with the specific intention of conveying the fascination with windows that has existed in Japanese architecture from the past to the present day. In Japanese traditional architectural design, the timber post-and-beam structures allow for the transformation of space both indoors and outdoors by removing fixtures between columns or allowing them to be opened and closed using various different types of windows and screens. (Read about the Japanese concept of space or “ma” in architecture in our article here.) Japanese teahouses, in contrast, are conceived of as closed boxes that are punctuated with an assortment of openings, and for this they hold a special place in Japanese architectural history. An installation of a historical teahouse built to scale is included in the exhibition.
Welcome Message
Meher McArthur, Art and Cultural Director of JAPAN HOUSE
Los Angeles
Windowology | The World through Windows
Igarashi Tarō, Exhibition Director
Though developed prior to the COVID-19 pandemic, this exhibition seems extraordinarily pertinent now.
According to Igarashi, “During times of crisis, windows reveal much about culture and humanity. Today, as we restrict our activities and stay in our homes for longer spans of time, we spend many more hours in front of the “windows” of the new era, our personal computing devices. These devices offer hope in an alternative state of connectivity.” Igarashi adds, “But actual windows have also played a unique roll during this crisis in ways that often express the richness of the world’s diverse cultures. People have sung opera to each other across balconies and shared messages of gratitude with medical workers through windows.”
Over the past months, we have been keenly reminded of the role that windows play – in good times and bad – in connecting us with the surrounding landscape and our neighbors in the physical world. Windowology offers visitors a rare glimpse into the unique functions of windows in Japanese culture, while also inspiring deeper contemplation of the many ways that windows inform and impact our own lives.
*To watch the video in full screen, please click play and then the YouTube icon on the lower right-hand corner.
#Windowology Social Media Activation
We are sharing a variety of #Windowology perspectives on Facebook, Instagram and Twitter channels with photographer and videographer partners. We invite everyone to share their #Windowology perspectives with us throughout the exhibition duration!
Our first partnership is with Rania Matar. Matar was born and raised in Lebanon and moved to the U.S. in 1984. As a Lebanese-born American artist and mother, her cross-cultural experience and personal narrative inform her photography. Matar’s work has been widely exhibited in museums worldwide, including the Museum of Fine Arts, Boston, Carnegie Museum of Art, National Museum of Women in the Arts, and more.
Gallery Photos
*To view the flipbook in full screen, please click on the "Fullscreen" icon on the lower right-hand corner from the window above.
Window Research Institute Brochures
Available here is a selection of seven brochures for download which bring together collections of specific research spanning the domains of history, language, design, human behavior, anthropology, and even manga in relation to the window. The breadth of this research speaks to the fact that windows, in addition to being key elements in a building’s design, are closely tied to human behavior and reflect our social, cultural and technological diversity.
Please enjoy these glimpses into the deeper research of ‘Windowology.’
Vol 1 | The History of Windows
Vol 2 | Linguistics of the Window
Vol 3 | Transition of Kikugetsutei; Equipment In Between
Vol 4 | Window Behaviorology
Vol 5 | Window Dialectology
Vol 6 | Window Ethnology
Vol 7 | Windows in Manga
Exhibition-Related Programs
©2019 Takumi Ota Photography
Windowology exhibition-related events are scheduled for November and December. Subscribe to receive future JAPAN HOUSE LA Newsletters, visit the Events Page and follow social media channels.
About the Window Research Institute
The Window Research Institute is an incorporated foundation based in Tokyo dedicated to the development of architectural culture. The Institute advances knowledge concerning windows and architecture, through research grants, publications and public events. The research project ʻwindowologyʼ was launched by the Institute based on the belief that “windows represent civilization and culture.” Over the past 10 years, the institute has been accumulating research findings through conducting collaborative studies with universities and researchers both in and outside Japan. For more information please visit the website madoken.jp/en/, Facebook, X, and Instagram.
Exhibition Credits
Organizer | JAPAN HOUSE Los Angeles
Planning & Supervision | Window Research Institute
Special Assistance | Yōsuitei Preservation Society, Hasegawa Machiko Art Museum, Horiguchi Sutemi Archives
Exhibition Director | Igarashi Tarō
Exhibition Assistant | Shibata Naomi
Read more.
Architects | Nishizawa Tezzo, Sato Kumaya (Tezzo Nishizawa Architects)
Graphic Designers | Okamoto Ken, Konno Tatsuya (Ken Okamoto Design Office)
Project Manager | Komiyama Yoh
Exhibition Production | TOKYO STUDIO
Public Relations | Koike Miki, Aizawa Mie (HOW)
Windows on Art | Installation: Tsuda Michiko, Software Development: Ito Yuya
Windows on Craft | Research: Yoshiharu Tsukamoto Laboratory, Tokyo Institute of Technology
Windows on the Environment | Research: Kodama Yuichiro + Naoshi Kaneko Laboratory, University of Shiga Prefecture
Windows on Motion | Research: Komiyama Yoh, Film: Okazaki Tomohiro, Sound Recording & Analysis: Onodera Yui, Matsuo Kenjiro (invisible designs lab)
Windows on Stories | Research: Hara Hiroshi + Taro Igarashi Laboratory, Tohoku University, Illustrations: Shinano Hattaro
Windows on the Teahouse | Design: Tezzo Nishizawa Architects + Ken Okamoto Design Office, Production: TOKYO STUDIO, Photographer: Ota Takumi, Film: qomunelab
Windows on Words | Research: Taro Igarashi Laboratory, Tohoku University
Windows on Manga | Research: Taro Igarashi Laboratory, Tohoku University
Windows on Film | Research (films): Norihito Nakatani Seminar, Waseda University + Seo Kenji
Windows on How We Live Now | Photography: Jérémie Souteyrat
Text | Igarashi Tarō
Edits | Shibata Naomi
Translation | Machida Gen
*Japanese names in this exhibition are written in the traditional Japanese order, with the family name first and personal name last.